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18th Century Sacred - conductor's notes
Written by David Wikman   

 

“At first a program of Bach and Mozart looks pretty heavy.  In some ways it might be, but it’s listener friendly.  Bach was one of the most devout composers we know and he really shows it in the Cantata 150.

It doesn’t take a musical scholar of any kind to hear that the composer really believes what he is writing about.  We can hear that his faith is woven into every phrase of the music.  The notes and words are almost perfectly matched.  Without getting into a lot of detail, we find that when Bach talks about ‘joy,’ the music sounds like kids playing out  in the yard.  Most importantly for us, the choir gets to do a lot.  Many of the cantatas start with an orchestra movement and one big chorus.  Then the choir shuts up, sits down, and listens to various soloists, sometimes four or more, do their thing.  At the end, the choir sings a hymn and it’s all over.  This cantata has only one solo and five choir movements.  As one of the singers said while paging through the music before the first rehearsal, ‘Wow!  We get to do stuff!’

The Mozart mass has a lot going for it.  It is sunny, optimistic, and wonderfully lyrical.  Just before writing it, Mozart had been out job hunting for about a year and a half in Paris and Mannheim to no avail.  He wrote the mass (probably at breakneck speed) for the Salzburg Cathedral. Masses in Salzburg had pretty strict limitations.  They had to be short, couldn’t use violas, but needed trumpets and tympani for the ‘bigger’ holidays.  Even with these constraints, Mozart wrote sixteen or seventeen little jewels.  Like the Bach, this piece is a wonderful wedding of notes and words.

We are honored to have the kids from Western Michigan University join us as soloists.  For relatively young singers they bring a wide range of experience to their work.  When we auditioned them in November we were both impressed and charmed.  At this level, beauty of voice is a given, but outstanding musicianship sometimes isn’t.  They were obviously well prepared for the competition.  It is a pleasure to be working with them.

It’s going to be a great evening of music in a spectacular church.  Please join us.”

Last Updated on Friday, 07 January 2011 13:49
 

Latest News

Join us on February 25th

 

The Muskegon Chamber Choir will sing a selection of its favorites from throughout the years.  Please join us on February 25th at 7:30 PM at St. Mark Lutheran Church in Norton Shores.

 
2010 -2011 review and look ahead

 

We don’t get much time to look back and “survey the wreckage” at the end of a season before the next one is right around the corner.  Auditions to hold, program themes and music to select, venues to arrange for – all of them come charging at us at record speed.  

We had a great 2010-2011 season.

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What people say

Our Choice - conductors notes


“They came to me and said, ‘We’ve had two audience choice programs lately.  When do WE get to vote?’  So I sent the whole library list to every singer and told each to send in his or her “top ten hits” The response was vast and widely varied.  Clear winners, however, began to emerge as the voting went on, and finally we had a program.  They really picked a good one.  They, after all, have to sing the stuff and know pretty well which music they like and what sounds well.

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Our Choice - Press release

 

Muskegon Chamber Choir
“Our Choice”
Saturday,
February 25, 7:30 pm
St. Mark Lutheran Church, Norton Shores

The Muskegon Chamber Choir, under the direction of David Wikman and accompanied by Cheryl Lohman, will sing its favorites at St. Mark Lutheran Church on Saturday, February 25 at 7:30 P.M. in St. Mark Lutheran Church in Norton Shores.  Entitled “Our Choice” the program was selected by suggestions from the choir membership.  Each member was furnished the names of the more than 300 pieces in choir’s library and asked to submit his or her list of favorites.  The most often named fourteen pieces make up the “Our Choice” bill of fare.

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